Jesh De Rox happens to be one of my favorite artist photographer creative types. He is a wonderful shooter, but his words hit me harder. I like his words a lot. He has an ability to articulate my understanding of my own process of creating an emotionally charged portrait. He is a superstar in the American wedding photography industry right now and he is on the road promoting his new Beloved concept.
How I create a photograph is by co creating and collaborating with my client. Working together with my client for an authentic emotionally charged portrait. I relate to Jesh when he talks about what is a good photograph. Like him, because I had no real formal classroom training, my definition of a strong photograph had to have elements of authentic emotionally honesty. I have no passion for the contrived or false. I can’t help it and when I am met with a dead energy I have no passion to pursue it. I have come to accept this as a truth for me.
I learned by doing. As a fashion model scout I can look at someone’s face, in person, which is in 3-D and know what it will look like in a one dimensional photo. Finding photogenic people is easy for me. But I soon became surprised when a stunner of a girl would have no authentic connection to her own spirit. It was blocked by ego. I found they were trying to be something they perceived I wanted rather than what they are.
My job today is very clear. Set them at ease in all ways. Convey to them I am trustworthy and a safe person to be allowed to view them in their authentic state of being. In order to do this I must convey the same thing to them. The fact that they allow me to look and photo captures them is a phenomenal honor. I am blown away by the sacredness.
When working with a new couple it is a must I shoot their engagement session. It is included in any package as well. But it is essential for the strongest of images come their wedding day. I have to understand my subject, their feeling for each other and above all set them at ease so that when they see me again on their wedding they are genuinely happy. How they react to my presence, my camera is paramount. This is the reason I love photographing people so much. If they allow me to see them then I know I have really done my job. All the rest of the technical photograph stuff is easy, skill I can learn in bed reading. Being good with people only comes from interacting with them and if it goes wrong looking at my part.
I teach watercolor to 4th grade and 6th grade this year. I can practice my people skills with each human I encounter. People are reactive by nature so what I give first 9 out of 10 times is what they are going to convey back.
Jesh says if you want your clients to drop all the walls, the pretense of ego and fear and to be raw, authentic, real, then I must show up channeling the same energy. Truth be told humans are such intuit creatures whether they are consciously aware of it or not that it is quite apparent when someone is covering something up, channeling a false energy showing up with the fear of not being likeable. I must confess as well that I fear people won’t like me. It is an inside job though that I have to willing to work on it continuously and consistently. The more comfortable I am with me, accept me, I find the more my clients are at ease with me as well. The more non judgmental I am of myself and them the more authentic they can be.