category: PERSONAL




I have been building my photography business for a few years now. I thought I would like to shoot pretty weddings, for people who are in love, that want images with feeling and an artistic style. Special pictures for special people.  What I have encountered, about 30 percent of the time, what looks to be like a rude email. “What are your rates? I am on a budget!” No Dear so and so, no Thank you, no sincerely and most importantly, no I love your work and it is exactly what we are looking for.

I received an email yesterday along those lines, with another similar to it, that said, I only want to communicate through email. My response, delete delete! I am not a desperate photographer or artist. I do it because I love it. I don’t have to make a living at it. I only have to create work I am proud of.  I am free to choose whom I want to spend time with, whom I want to photograph. I can’t express how great it feels to be free.  People don’t understand, I have to like my subjects in order to capture great pictures. Why? Because I am going to bring my perception of my subject to the image. Ansel Adams said, the image is a marriage of the subject and photographer. I don’t do email because I need to hear the tone of my client’s voice. Voice tone says everything. I can determine from the first conversation whether it is yes or no for me. If we like each other, then we meet and the deal is usually sealed. I am interviewing them too. 

Once I did a wedding for a bridezilla. Once and final time. I knew it when I booked her, but I thought it would be OK. I was with her for 9 hours and that was doable, but I had to look at her face in the editing room for another 40 hours. Every time I looked at her I was in a bad mood. Never again. 

For this reason, to stay true to my compass, I have taken on the job of managing our local chamber. Which allows me the creative freedom to work with whom I want, when I want? The condition of  my job is the Board’s flexibility to allow me to photograph weddings, they were very generous with me about this. My issue is time. I must be discerning about how I spend it and with whom.

Dave called me a few months back and explained he was a photographer from Chico. Creative imagery is very important to him.  That he has also photographed weddings and that he was looking at the regional talent and he found that my work impressed him most. We had a great first conversation and then a really nice meeting where I met Karen. I felt great about them after our meeting and we booked each other for their October wedding.

I  realize with this attitude I won’t be shooting 6 weddings a month for a thousand each and I really don’t want to. What I am and will be doing is one or two a month for for 3k to 5k  and working with people I want to spend time with and who also want to work with me. Maybe I sound like an ass, but I have worked very hard for a long time to find this sweet spot.

I am confident I can shoot anyone, but I can’t shoot for everyone. My clients know who they are and what’s more important is I know who they are and we like it like that. They are looking for special pictures and I am looking for special people.

 





Beau was here last week for his senior portraits. I photographed his sister a few years back. What I like so much about portraiture is I am given the task of capturing the person’s essence and seeing them at their best. Setting them at ease is key, having a camera in your face is daunting to most. This takes a little time and finesse and a genuine openness on my part. At 46 allowing a person to see me is OK. I am what I am and am OK with that for the most part. This allows them to be the same in my presence. It is such satisfying work that given I didn’t need to make a living I would do it for free. I never tire of people and I am always happily surprised by what I find.

I saw Beau as beautiful and talented. We will see great things from him. An exceptional guitarist  and self taught; I know the kind of dedication that takes. I felt honored he allowed me to see him so that I may document this moment, a passing of a mile stone, his senior year, for all in his world to remember.

Gulp Gulp I always get choked up getting to see people in their stages.

Beau’s pictures are some of my favorites so far and I know, I say that about all the boys.

 





Mike and Alexia contacted me through the Knot and we booked the wedding over the phone. We photographed their engagement session at Sutro Heights above the baths at Ocean Beach in San Francisco a few months ago. When I found out their wedding details I was completely excited to be able to document their wedding. It seems the wedding was designed to be sweet, beautiful, tasteful, classic, chic and without airs. The Hastings house boasts stunning gardens with a clean cottage to get ready in and has the beach as a backdrop, the Farallon Restaurant’s Beluga Reception Room at The Kensington Park Hotel doesn’t get any more classic, tasteful and quintessential San Francisco than that. Completely up my alley and the thing that synced it for me was Alexia said they liked my work because it felt alive the other work they looked at seemed soulless. I think it’s still one of the best complements I have ever received. I respect her politics tastes and her amazing education. Alexia and Mike are a wonderful couple who seem to operate on courtesy, partnership, mutual respect and an honest friendship. I learn a lot about people at weddings and Ian I left wanting to be more like them. After hearing Alexia’s mother’s speech about how her daughter chose a husband I wanted my daughters to learn from Alexia. Ian and I also enjoyed them immensely. It’s a day for us either will soon not forget.

We ate a very late dinner at the Farallon restaurant and it was one of the most amazing meals of our lives. I can still taste it.





I am in love with my job as a photographer. I love photographing weddings and I especially love creating portraits with people who allow me in. I am also in love with my family and where I live.  I have been told often that I should move back to the Bay Area to gain more notoriety and bookings because my work stands up with the best there and where I live is so remote to say the least. For the last year I have deliberating about my next move. What to do? What to do? Money? Family?  I miss San Francisco very much and I miss my extended family and friends very much, but I think I would miss my husband, children, dogs, home and gardens just a little bit more. I really want to keep photographing but I don’t want to photograph the cheese and I don’t want to bicker over rates. I would rather have an hourly wage job than shoot for people who will tell me what photographic style I need to be shooting them in. I like being able to decide whom I want to work for. I turn bookings down if they don’t feel like a good fit and I negotiate rates with those that feel like a perfect fit.  I am an artist and I need my artist’s freedom to create. Being financially desperate is a creativity killer for me.

So when I saw the job for our local chamber manager position advertised I leapt at it. Seems like it would be a great fit. I am a transplant like most here and I know the area very well. My background in marketing and the internet helps.  They are flexible about my weddings schedule and my photography business. My commute will be by bicycle about 2 miles west. I applied in late May and I start in mid August.  I  am excited about it because I don’t have to take a booking if it feels cheesy over controlled or wrong. I can’t apologize for saying I don’t want to work for people who have never seen my work and want to negotiate rates. There are so many mediocre wedding photographers out there who will shoot a wedding for cheap cheap cheap, granted it looks cheap cheap cheap to me, but I have a trained eye. Some people don’t know the difference between good photography and great photography anyway, they are just price shopping and that’s ok. I can joyfully say I don’t have play that bit.  I don’t have to change my style or my rates because I am desperate to pay the bills. I am creatively free and grateful for it.





Ian and I had the great joy of photographing Alli and Cory’s Wedding in Albion on the Mendocino Coast a few weeks ago. It was a perfect day, the weather could not have been any better. They are a really sweet couple together and are best friends.





I have  been with my husband for 23 years. I have been married a long time. I  love my husband, I like my husband and I am in love with my husband. The three being quit different things.  There is no other person on the planet that can send me through  a  gambit of emotion. To say we have a passionate marriage is an understatement. I have a very rich marriage. At times it rings me out and every once in while I fantasize about moving into a little place all my own and being alone on the coast. Taking a rest from the work of my marriage.

What I have learned about marriage is getting married isn’t a marriage, it’s a party. Just like being in love with an infant, so that when they are unruly teenagers we won’t kill them, the beginning of a relationship serves the same purpose. Remembering the beginning ; long term marriages seem to have a way of tainting one’s today’s with yesterday’s injuries. Hearing marriage vows keeps it fresh, new and real for me. It also causes me to reflect.

I photograph weddings and the odd thing about being behind my camera is my ears hear everything. I hear every word of their vows. Every word hits me in my gut. Whether the couple being married is taking the the vows that I am hearing seriously,  matters not,  I am taking them very seriously. My marriage is serious business to me, a whole life,  family, trajectory of many lives hang in the balance. Marriage is not for the weak or faint of heart.  The longer I am married I come to understand for me marriage is a sacred covenant not a contract. That was the message I took away from this wedding. Even though I already know it on some level, sometimes I forget it. Sometimes I feel like it’s a contract that can be renegotiated or adjusted or absolved.

Shirley, who was there in my early married life and Yoda to me, said “Marriage is made everyday Kim. One day at a time.” I know a little today what that means.  I speak for me only, because I am by nature stubborn and a flawed human being, I look at my marriage as my sacred spiritual work.  One day at a time, it  demands  I grow up just a little more that I love a little  more, that I change a little more. Thank God I know Love to be a verb, just like faith without works is dead, so is love without right action, because when I want to move to my quiet little cottage on the coast I am shown one more time there is something I must work on and change in myself. At the end of the day I find, it begins and ends with me and it is a lesson I have to keep learning.

Once when I was having a moment where I thought my husband wasn’t taking this marriage work as seriously  as I was, I asked him. ” Honey is this a  marriage of convenience for  you?” He laughed hard and loud, and said with a big smile “There isn’t anything convenient about it.”  Now that may sound bad, but I took it as a  great sign. He’s working too and he wouldn’t if it didn’t matter to him. We both are in it one day at a time.

Photographing Weddings is good for me and my  marriage.





I was born at Kaiser Hospital on Geary street in San Francisco. Ironically my husband was also born there  2 and 3/4 months later. My grandmother, who raised me until I was 8, died there at 50 from complications of a gunshot wound. I lived on 46th and Taravel where the trolley car would rumble by every couple of hours a night. It was hard to distinguish a small earthquake from the electric street car. I was lulled to sleep by the fog horn and I was cradled by the fog. I was born in the early 60s and It was 1966 ish when I came to consciousness and the city was my blanket in which I was comforted by. The street was full a big families mostly Irish and Catholic. I was free. I ran up an down the streets with my friends all day. When it was time to go to school we walked the 8 blocks. I was safe. I remember one day specifically hearing  music coming from the only apartment on our street. The band was on the top floor practicing with the window open I could see them. The melody was magnetic. I ran toward the music as close as I could get and soon I was surrounded by a massive crowd of dancing people. It was load and clear and I realized there was music just like on the radio being played. It was Santana, it was 1971 and they were playing “No one to depend on.”

That song became the anthem in which I lived the rest of my childhood by. She was gone by 1972, my grandmother, and still missed deeply to this day. Yesterday was her birthday. I never forget it and yesterday my nephew’s  daughter was born. I have never met him or spoken to him, he found me a few days ago, to my great joy and to tell me they were expecting. His daughter was born yesterday. The same day as her great great grandmother Lucille.

After Lucille died we moved ten or so blocks over to Irving and 44th with my mom. She had to work  all of the time to support the 3 of us and my level of  freedom expanded. I ran every block. I ran into trouble, granted, it’s a big rough city, but I took mass transit at 9 and beyond,  alone where ever I wanted. I learned to dodge trouble, perverts and to get around. It gave me enough confidence to live and travel around New York City and Paris when I was just 18. The Zoo, Sutro Heights, Ocean Beach, The Warf, Golden Gate Park, Lake Merced,  The Cliff House all were my backyard. The other day, while I was in the city shooting for the Knot’s party at the Academy of Sciences, I went back to my old neighborhood. Both of my old homes are still there. Only the color of the paint has changed.

A day later I shot an engagement session up on Sutro Heights,  where as a child, I had climbed the cliffs around it and the ruins of Sutro Baths. I took this photo for me and I set my aperture at 22 on purpose. I wanted to see all of it. Now it sits on my desk top and I know I have a very big story to tell. Someday.

A view of Ocean Beach, The Sunset District, Daly City and Beyond from Sutro Heights





A much needed road trip. Scouting for anything that moves me and of course always things to paint and write about.

Ian and I have 5 children. Our oldest is almost 25 years old. I started young, 21 and at times I don’t look 46, but man this Spring, I was feeling it. We haven’t had a trip alone in a good while.  We decided on a road trip this spring to the Monterey Bay aquarium and to the Hearst Castle or the Ranch as Hearst himself called it.  Being lovers of art, beautiful imagery and all underwater scenery it was a good choice. I was raised in the sunset district of SF and I miss the ocean all the time. We have never been south of Carmel by car and I have always wanted to the see Big Sur. I carry a crappy camera with me in my purse, too affraid to ruin my good portrait cameras and I reach for my camera often. We decided on this area for our love of food sealife and seeking warmer weather. We didn’t get it, it was cold and it rained, but it was beautiful.  Ian is a builder and Hearst Castle was eye candy. We could have stayed there for days. What a very special place. They offer 6 tours, we took 2.





We are not fooled by hot days in March. In 1994 it snowed 5ft on my birthday which is the end of March. There seems to be a pattern of burst of warm sunshine followed by snow, rain and  hard freezes. I know when spring has arrived when the sand hill cranes are yodeling outside the fence on the meadow and when the robins, swallows and osprey are back. They are all back. The weather can act as nutty as it wants, we have made it through another winter. That is no small feat in our neck of the woods. They are especially long and hard here. We marked the first day of spring with an entire family having some sort of virus which runs the gambit of every symptom and lasts over a week; rough and boring week. My mind wants to run and hit spring hard with all my pent up winter and my body can’t move; harsh. Although I got caught up on the classics I have been meaning to watch, such as, ” How Green was my Valley”, “Guess who’s coming to dinner”, a BBC miniseries on Victoria  and Albert and another about coco channel and Schindler’s list is waiting.

I have made some pictures of the children while we watch our movies. What has worked for me as a creative is to step way from the thing I am working on constantly. I bounce between painting, writing, house duties and photography. Granted it does cause a rust for about 5 minutes which is quickly steamed out by the pent up energy of the pressure cooker of wanting to create. I consciously stepped away from bookings for the last 2 months to focus on marketing and other aspects of my business and creative life. I am glad I did, I feel the passion and excitement of creativity and I can’t wait to get at making pictures again. Here are few from this week.

One of my many muses

lala

Freda

She is our comedy releif

That face

He's building something

he's planning something

Through the plant

through the plant

little muse

little muse

I like it in Black and White

I see you seeing me.

poached egg on toasted whole wheat sourdough, our favorite.

Mike

Mike

trying to watch my show.





I wrote this piece for my friend Dart. I am not sure if I answered his question. Because I am an artist when I go to paper I am usually surprised by what she wanted to say about art. So here is the artists answer and I had no idea it was there like that.

I have always been an artist. Ever since I was a little girl. I had just forgotten. Life had side tracked me big-time.

My dad and grandma died within in a year of one another of pancreatic cancer. It’s a smokers cancer and guess what I did for 30 years? That was major concern when I went the doctor in 1998 for upper right abdomenal pain that was constant.  Although I had waited 6 months. My family doc assured me if it were pancreatic cancer I would already be dead. My dear cousin was very sick with a terminal cancer that finally got him and he was young and I was scared. I had just given birth to my last child. It had been a very traumatic past 3 years, me and my twin girls were close to death. One died and the other almost did with a very long stay in the NICU. This situation had left my heart quit broken.  I was also always tired, in pain while working, running an Inn and raising 5 kids under the age of 13. So when John, who was fighting his cancer, suggested I begin a juice fast I listened. I picked up a book called “The 3 day energy fast.” and read the whole thing. It didn’t take me on the path I expected; instead it asked me questions I couldn’t answer. It asked me to look inside myself for clues to my own joy. Name 10 things you LOVE to do? I was stumped. What I could ingest didn’t count, like, eat, read, watch a movie or TV. It had to be things I did interactively with the world or myself. After 2 days of no sure answers I slipped into a deep sadness. It was obvious I was suffering from a great amount of neglect beginning with me. I had neglected me; caring for everyone else always. I started to understand why woman in my position were dropping like flies from breast cancer; beaching themselves like whales in a mass slaughter and I understood deeply. Living had become so much of a chore under the circumstances I had created for myself. All work and no play had made me a very sad girl.

I began my list of 10 things not with what I loved, because I really didn’t know, but with what I thought would bring me joy. Looking for clues, I went back to when I was little growing up on Sunset beach in San Francisco. Days at the beach. So my list began this way.

When I was little I liked to.

1)      Color in the coloring book.

2)      Paint in the coloring book.

3)      Make sand castles.

4)      Play in the water.

5)      Watch the clouds and see the shapes they made as they drifted by.

6)      Bake and cook.

7)      Go to the stationary store for art supplies.

8)      Write stories.

9)      Make my own drawings.

10)   Tell Stories and Talk Talk Talk

11)   Ice skate.

12)   Climb rocks camp anywhere.

13)   Be with animals

Then I made another list. What do I think I might like doing and if I knew I wouldn’t fail and what would I like to try?

1)      Kayaking.

2)      Hike Yosemite.

3)      Paint watercolors like Georgia O’Keefe.

4)      Photograph people really well.

5)      Write stories and scripts and poetry.

6)      Go back to school and learn something I love ART.

7)      Teach kids sort.

8)      Learn to really draw.

9)      Make beautiful events and weddings.

10)   Cook amazing food.

11)   Ride horses again.

Although I was a mother of 5 and loving them and raising them, I knew that if I were dying I wasn’t living the life I wanted to the fullest. My husband bought me kayaks and cross country skis. We went to the lake a lot and camped. I became a skilled gardener, cook and painter. I took night classes, for me time. I learned to draw what I saw. I began to have an insatiable appetite for life. The switch got flipped and now there wasn’t enough time in the day to do all the things I wanted. I let the bed making go, drying dishes and only pulled weeds when the other plants were small. I cut corners in areas that weren’t important and put energy into what was. I started reading and doing “The Artist’s Way” by Julie Cameron (I recommend anything Julie) and I am totally with her. I wasn’t taking care of my inner artist. The first summer painting class I took with a bunch of artists I sat in the back and cried because I was so happy. I know its sounds creepy but that is the first time I really saw my inner person. She was crying. There was someone in me that needed this more than I knew. I had no idea about me until I started crying.  I was actually going to get to paint. I had buried my inner artist so deep I didn’t know I had a need, but my spirit was dying slowly. I began to take full responsibility for me on all levels. It took courage and time. Try telling a strong man and 5 children NO. It’s my time. I could see why woman cave. At first I wasn’t supported. They fought me. I was taking away their caretaker. Their on call fix it person, but I knew if I were going to survive this life with them for the long haul I had to take care of me first. So I picked up the oxygen mask and dug a moat around myself and for sheer self preservation began to take slices of the day for me.

The rest of the story was easy compared to the last part. What I went through was like childbirth and I have given birth naturally 5 times. I was being born again to me. The outside path for me was easy. I surfed the web daily for artist I liked. I came upon three whose work resonated for me, made me feel something deeply when I looked at their work. I looked at thousands of images and was left with loving these artists most. I have come to know them all except Steve. Nancy Collins, Birgit O’Conner and Carol Carter and one man Steve Hanks (I don’t know him, but wish I did). All geniuses in their own rights. The more I study their work the more I realize they are beyond talented. I found them all in 1998 they had all been painting for a decade before I found them.  They are all published, all have numerous gallery representation and all are living working artists, making money off of what they love.

This told me my path as a watercolor artist was/ is a process. I will be in process the rest of my painting days. So don’t get too impatient, check my expectations, practice and plan. The only way to speed up the process of becoming better is to paint more. I go to MAC at least once a year if I could afford it I would go every quarter. I have looked at each artist’s paintings, all of their paintings.  I have taken 5 workshops with Nancy Collins. Her color theory class accelerated my paintings made them glow because WC (watercolor) is a science. I would still be painting mud if not for her. Her beginning WC class is essential. Birgit is a master at composition and value. She can hit it in one application. That’s like hitting a homerun every time. Steve, I still have no idea how he does it and he is not teaching his technique. 12 years of searching for him, I still haven’t found him teaching. Carol is anomaly all to herself, she has pushed the envelopes of uniqueness as a watercolorist and I predict huge things for her. She is a first. I think all of these artists are masters. Watercolor paints have chemicals in them that react to one another. It is well known WC is the hardest media to master. I had no idea when I started how tough it was going to be, but I don’t make murky paintings because I have learned so much from Nancy.  I took her color theory class and translated into a language for 4th 5th and 6th graders. They know what bridges, blooms and bleeds are.  Two of my favorite watercolor blogs are Handprint and Brush paper paint. I have learned so much from handprint. I can even go to my favorite artists palettes.

Saying watercolor artist’s say. Keep your brush wet, but don’t leave it in water. Let the water do the work. If you are having too much fun STOP you are killing it.

I love painting, writing and photography because what I really am is a storyteller and my path has been such a rich journey for this I am so grateful. I never did do the juice fast, instead I became an artist and now I also drink juice.

some of my paintings from this week.

washes bridges reflections..

Jane

a wash lesson in value

A lesson in form and shape, one wash each shape

Jane on a full sheet of 300lb